{"id":630,"date":"2014-09-12T08:14:42","date_gmt":"2014-09-12T08:14:42","guid":{"rendered":"https:\/\/sibirijasberni.lv\/?p=630"},"modified":"2014-09-12T08:15:01","modified_gmt":"2014-09-12T08:15:01","slug":"2-recenzijas-par-filmu-sibirijas-bilance","status":"publish","type":"post","link":"https:\/\/sibirijasberni.lv\/en\/filmas\/2-recenzijas-par-filmu-sibirijas-bilance\/","title":{"rendered":"2 Recenzijas par filmu “Sib\u012brijas bilance”"},"content":{"rendered":"

Toms Treibergs \u00a0<\/strong>te\u0101tra un kino kriti\u0137is<\/p>\n

Recenzija<\/h1>\n

Sib\u012brijas bilance<\/strong><\/h2>\n

Re\u017eisore un producente Dzintra Geka<\/p>\n

Studija SB \u00a0<\/em>2011<\/p>\n

\u00a0\u0160o var\u0113tu nod\u0113v\u0113t par emocion\u0101li visattur\u012bg\u0101ko Dzintras Gekas filmu, kura v\u0113sta par m\u016bsu tautie\u0161u likte\u0146iem deport\u0101ciju kontekst\u0101. Iesp\u0113jams, t\u0101p\u0113c, ka taj\u0101 nav citos autores darbos redzam\u0101s intervijas \u201eviens pret vienu\u201d \u2013 st\u0101st\u012bjumi par izmetin\u0101juma nomet\u0146u \u0161ausm\u0101m notiek fon\u0101. Vizu\u0101l\u0101s rindas prim\u0101rais saturs ir fotogr\u0101fijas. \u201eSib\u012brijas bilance\u201d ataino latvie\u0161u grupas ce\u013cojumu uz Sib\u012brijas T\u0101lajiem Zieme\u013ciem \u2013 Taimiras, Krasnojarskas un Tomskas apgabaliem. Grupas sast\u0101v\u0101 bija cilv\u0113ki, kuru tuvinieki 1941. gad\u0101 tika izs\u016bt\u012bti uz \u0161\u012bm teritorij\u0101m. L\u012bdz ar to tas ir misijas ce\u013cojums, kur\u0101 ir aicin\u0101ts piedal\u012bties ar\u012b skat\u012bt\u0101js. Iesp\u0113jams, tie\u0161i ar \u0161o filmu b\u016btu v\u0113lam s\u0101kt \u201eSib\u012brijas b\u0113rnu\u201d epopejas caurskat\u012b\u0161anu, kas neb\u016bt nav viegls, ta\u010du \u013coti nepiecie\u0161ams darbs pilsonisk\u0101s, nacion\u0101l\u0101s, un, galu gal\u0101, cilv\u0113cisk\u0101s domas audz\u0113\u0161an\u0101 un stiprin\u0101\u0161an\u0101. Inform\u0101cija, kuru 52 min\u016b\u0161u laik\u0101 ieg\u016bstam, sniedz ieguld\u012bjumu gan v\u0113sturisko peripetiju izzi\u0146\u0101 (ik pa br\u012bdim film\u0101 par\u0101d\u0101s titri, kuri koment\u0113 izs\u016bt\u012bjuma ies\u0101k\u0161anos, t\u0101l\u0101ko gaitu un \u0161\u012b nozieguma atz\u012b\u0161anu no Latvijas puses 1989. gad\u0101), gan izpratn\u0113 par cilv\u0113ka emocion\u0101lo r\u016bd\u012bjumu, st\u0101stot par sev \u0101rk\u0101rt\u012bgi s\u0101p\u012bgu t\u0113mu. T\u0101, piem\u0113ram, k\u0101das kundzes st\u0101sts par iera\u0161anos N\u0101ves barak\u0101, kur\u0101 acumirkl\u012b visus aps\u0113du\u0161as slim\u012bbas, bads un net\u012br\u012bba, k\u0101 ar\u012b par br\u0101\u013ca n\u0101vi p\u0113c savas inton\u0101cijas dr\u012bz\u0101k l\u012bdzin\u0101s tam, k\u0101 var\u0113tu st\u0101st\u012bt par s\u0113jas un st\u0101d\u012b\u0161anas laika nedien\u0101m, ni\u0137\u012bg\u0101m tom\u0101tu \u0161\u0137irn\u0113m un p\u0101r\u0101k \u0161auru siltumn\u012bcu. Tik liela ir laika vara un cilv\u0113ka iek\u0161\u0113jais sp\u0113ks, kura apm\u0113ri gribot negribot liek dom\u0101t pat dievi\u0161\u0137\u0101 eksistenci \u2013 jo ne\u0161\u0137iet, ka tikai ar cilv\u0113ka varu pietiek, lai var\u0113tu sadz\u012bvot un p\u0113c tam atg\u016bties no t\u0101da \u0161ausmu apm\u0113ra. Filmu ies\u0101k operatora Aivara Lub\u0101nie\u0161a simboliski piln\u012bgs pl\u0101ns, kur\u0101 pa garu, st\u0101vu koka k\u0101p\u0146u g\u0101jumu lejup, kameras virzien\u0101, dodas b\u0113rns oran\u017e\u0101 v\u0113jjak\u0101. Vi\u0146\u0161 ar\u012b b\u016bs \u0161\u012b darba caurviju mot\u012bvs, sec\u012bgi par\u0101doties st\u0101st\u012bjuma vid\u016b un pa\u0161\u0101 izska\u0146\u0101, uzejot atpaka\u013c pa to pa\u0161u ce\u013cu, pa kuru n\u0101cis \u201esagaid\u012bt\u201d vispirms film\u0113\u0161anas grupu un p\u0113c tam – skat\u012bt\u0101ju. Smagn\u0113j\u0101, nom\u0101co\u0161\u0101 Sib\u012brijas daba, kura filmas uz\u0146em\u0161anas laik\u0101 \u201eit k\u0101\u201d atrad\u0101s vasaras iesk\u0101vum\u0101, sp\u0113c\u012bgi kontrast\u0113 ar maz\u0101, ko\u0161i ap\u0123\u0113rbt\u0101 cilv\u0113ci\u0146a bezb\u0113d\u012bgo klai\u0146ojumu pa sev zin\u0101maj\u0101m tak\u0101m. T\u0101l\u0101k seko grupas p\u0101rcel\u0161an\u0101s no motorlaivas ku\u0123\u012b un do\u0161an\u0101s t\u0101l\u0101k. Lai gan t\u0101l\u0101k, god\u012bgi sakot, doties pagalam negribas \u2013 jo zin\u0101ms, ka galam\u0113r\u0137\u012b nek\u0101das liel\u0101s jautr\u012bbas neb\u016bs. Varb\u016bt pat nekad nav bijis. Skaidrs, ka filma sniedz \u201etikai\u201d mikroskopisku atsegumu no restaur\u0113tas pag\u0101tnes, un, kas zina, starp vis\u0101m nedien\u0101m ar\u012b tais t\u0101lajos krastos dz\u012bve rit\u0113ja ar\u012b ar jautr\u012bbas un varb\u016bt pat laimes piesk\u0101rienu. Kaut to ir gr\u016bti izt\u0113loties, atrodoties \u0161odienas Latvij\u0101, kura arvien vair\u0101k k\u013c\u016bst par Rietumeiropu, dzenot jaunus un sul\u012bgus kosmopol\u012btisma asnus. Tiesa, epizode, kur\u0101 latvie\u0161i apciemo Valent\u012bnas kundzi, kura dz\u012bvo t\u0101l\u0101 no\u0161\u0137irt\u012bb\u0101 ezera krast\u0101, p\u0101r\u0146em pacil\u0101jo\u0161as saj\u016btas. T\u0101 k\u0101 \u0161ai notikum\u0101 iztr\u016bkst asaras un \u017e\u0113labas, rodas sekojo\u0161a saj\u016bta: k\u0101 jau katru ned\u0113\u013cas nogali, pie lauku vecm\u0101mi\u0146as ieradu\u0161ies vi\u0146as izklaid\u012bgie pils\u0113tas radi. Diezgan skaidrs, ka patiesie apst\u0101k\u013ci ir skaudri cit\u0101d\u0101ki. P\u0113tera Vaska filigr\u0101no m\u016bziku papildina, \u0161\u0137iet, nemit\u012bgais lietus. L\u0101ses rit uz lidma\u0161\u012bnas iluminatora, veroties bezcer\u012bgaj\u0101 un milzumpla\u0161aj\u0101 Zieme\u013cu ainav\u0101. Gribas dom\u0101t \u2013 cik tom\u0113r m\u016bsu plan\u0113ta ir skaista. Bet skaistums autom\u0101tiski nenoz\u012bm\u0113 labv\u0113l\u012bgumu cilv\u0113kam. Tie\u0161i tik nelabv\u0113l\u012bg\u0101 viet\u0101 k\u0101 raksta s\u0101kum\u0101 piemin\u0113tie apgabali non\u0101ca latvie\u0161u \u0123imenes, kur\u0101m no cilv\u0113ka cien\u012bg\u0101m dien\u0101m bija j\u0101m\u0113\u0123ina izdz\u012bvot t\u0101das, kur\u0101s ik uz so\u013ca pret\u012b gl\u016bn n\u0101ve. Ar m\u0113ren\u012bbu un paciet\u012bbu b\u016bv\u0113tais narat\u012bva ce\u013c\u0161, kura epizodes kop\u0101 savienojis mont\u0101\u017eas re\u017eisors Armands Zvirbulis, neieved t\u0101d\u0101 depresij\u0101 un drebu\u013cos, k\u0101, piem\u0113ram, nesen pirmizr\u0101d\u012bt\u0101 (un tikpat nepiecie\u0161am\u0101) filma \u201eGeto st\u0101sti. R\u012bga\u201d (re\u017e. Linda Olte). T\u0101p\u0113c ar\u012b laikam t\u0101ds nosaukums: \u201eSib\u012brijas bilance\u201d. Sauss, bezkaisl\u012bgs norises sec\u0113jums, kur\u0161 a apriori<\/em> t\u0101ds nemaz nevar b\u016bt, jo, lai cik matem\u0101tiski un visp\u0101rin\u0101ti m\u0113s censtos skat\u012bties uz deport\u0101cijas jaut\u0101jumu, m\u0113s nesp\u0113jam apiet to nepr\u0101tu, kur\u0161 laupa jebk\u0101du tic\u012bbu cilv\u0113ces nepiecie\u0161am\u012bbai. L\u012bdz ar to m\u0113s nesp\u0113jam izvair\u012bties no likumsakar\u012bgaj\u0101m emocij\u0101m. Ja vien \u0161iem \u201emums\u201d ir sirdis.<\/p>\n

\n

\u00a0Arm\u012bns\u00a0 Leji\u0146\u0161<\/strong><\/p>\n

NE\u017d\u0112L\u012aGAIS\u00a0 KOPSAVILKUMS<\/p>\n

Recenzija par Dzintras Gekas dokument\u0101lo filmu<\/h1>\n

\u201eSib\u012brijas bilance\u201d<\/h2>\n

Ne\u017e\u0113l\u012bga gadsk\u0101rta \u2013 70 gadu kop\u0161 Latvijas iedz\u012bvot\u0101ju deport\u0101cijas 1941.gada 14.j\u016bnij\u0101. \u00a0\u00a0Ne\u017e\u0113l\u012bga bilance: no toreiz uz Sibiriju izs\u016bt\u012btajiem 15425 cilv\u0113kiem, tai skait\u0101 3750 b\u0113rniem, dz\u012bvi paliku\u0161i tikai nedaudzi. Grupi\u0146a l\u012bdz \u0161odienai izdz\u012bvoju\u0161o Sib\u012brijas b\u0113rnu vai vi\u0146u b\u0113rnu kop\u0101 ar filmas veidot\u0101jiem 2010.gada vasar\u0101 dodas atkal uz T\u0101lajiem Zieme\u013ciem. Lai tur apbed\u012bjuma viet\u0101s piemin\u0113tu savus zaud\u0113tos br\u0101\u013cus, m\u0101sas, m\u0101tes, t\u0113vus, vecm\u0101mi\u0146as un vect\u0113ti\u0146us. Visus, kas palika Taimiras, Krasnojarskas un Tomskas apgabalos. Nori\u013csk\u0101, Dudink\u0101, Ustjport\u0101 un citur. T\u0101da ir 2010, gad\u0101 uz\u0146emt\u0101s, 2011.gad\u0101 pabeigt\u0101s \u201ejubilejas filmas\u201d t\u0113ma. Kaut v\u0113sturisk\u0101s paties\u012bbas atkl\u0101\u0161ana saist\u012bta ar skait\u013ciem, faktiem, arh\u012bva dokumentiem, re\u017eisore Dzintra Geka ir atradusi atbilsto\u0161u t\u0113laino kinematogr\u0101fisko risin\u0101jumu. Nezaud\u0113jot faktu precizit\u0101ti, vi\u0146a b\u016bv\u0113 emocion\u0101li iedarb\u012bgu m\u0101ksliniecisko v\u0113st\u012bjumu. Emocion\u0101lo spriedzi film\u0101 uztur gan aculiecinieku st\u0101st\u012bjumi par izve\u0161anu, gan z\u012bm\u012bgas, reiz\u0113 pag\u0101tni un tagadni raksturojo\u0161as Sib\u012brijas ainavas, gan tr\u0101p\u012bg\u0101m deta\u013c\u0101m bag\u0101ti nov\u0113rojumi m\u016bsdienu Sib\u012brijas ciematu ikdien\u0101, gan jo sevi\u0161\u0137i komponista P\u0113tera Vaska m\u016bzika, kas vedina uz padzi\u013cin\u0101tu p\u0101rdz\u012bvojumu. Daudznoz\u012bm\u012bgas t\u0113lain\u012bbas pilna jau ievada epizode \u2013 maza pui\u0161e\u013ca vientu\u013cais, \u00a0ilgais n\u0101ciens pa d\u0113\u013ciem izb\u016bv\u0113tu l\u012bklo\u010du celi\u0146u, kas ved uz upes ku\u0123\u012b\u0161a piest\u0101tni. It k\u0101 n\u0101k, cer\u0113dams ieraudz\u012bt k\u0101du tuvu cilv\u0113ku atbraucam. Vai izk\u0101ps no ku\u0123\u012b\u0161a\u2026? Filmas beig\u0101s redzam atkal to pa\u0161u pui\u0161eli, tikai tagad \u2013 \u00a0vientu\u013ci aizejam pret\u0113j\u0101 virzien\u0101. T\u0101tad nav sagaid\u012bjis\u2026 Daudzi dz\u012bvi paliku\u0161ie Sib\u012brijas b\u0113rni nesagaid\u012bja, nesamekl\u0113ja, palika ar sav\u0101m b\u0101re\u0146a s\u0101p\u0113m, ar ne ar ko neaizvietojamo zaud\u0113jumu, ar nekad nepiepild\u012bt\u0101m b\u0113rna ilg\u0101m \u2013 t\u0101da ir simbolisk\u0101 j\u0113ga\u2026 Kaut filmas strukt\u016bra form\u0101li pak\u013cauta eksped\u012bcijas dal\u012bbnieku braucienam no vienas vietas uz otru \u2013 kas gan nav ne ekskursija, ne piedz\u012bvojumu ce\u013cojums! \u2013 kop\u0113j\u0101 v\u0113st\u012bjuma dramatur\u0123isko pamatu veido tr\u012bs smagu atmi\u0146as st\u0101stu grupas. K\u0101 izveda. K\u0101 izs\u0113din\u0101ja un nomirdin\u0101ja. K\u0101 verdzin\u0101ja.<\/strong> Izs\u016bt\u012b\u0161ana\u2026 \u0122imeni no lauku m\u0101j\u0101m aizved nakt\u012b, t\u0113vu iesloga vien\u0101, p\u0101r\u0113jos cit\u0101 vagon\u0101\u2026 Meiteni, kas apmekl\u0113jusi cietumu, kur\u0101 iespund\u0113ta mamma un m\u0101sa, ievilina kantor\u012b, nolasa \u2018spriedumu\u201d, v\u0113l pa\u0161ai ar zirdzi\u0146u n\u0101kas braukt l\u012bdz baigajam vilcienam\u2026 Nometin\u0101\u0161ana\u2026 Izs\u0113dina upes krastos, neapdz\u012bvot\u0101s viet\u0101s, j\u0101dz\u012bvo telt\u012b vai zemn\u012bc\u0101\u2026 M\u016b\u017e\u012bgais sasalums, drausm\u012bgi apst\u0101k\u013ci, aukstum\u0101 gu\u013c viens otram blakus divst\u0101vu n\u0101r\u0101s\u2026 Vieta, kur koki neaug, plika zeme, aizsalusi upe, smagi slimo, mirst \u201en\u0101ves barak\u0101s\u201d\u2026 Vect\u0113ti\u0146\u0161, aviokonstruktors, mirst Ugo\u013clag\u0101 dr\u012bz p\u0113c nometin\u0101\u0161anas\u2026 \u0122imenei m\u0113ne\u0161a laik\u0101 nomirst gan meita, gan d\u0113ls\u2026 50 gr\u0101du aukstum\u0101 viens p\u0113c otra aiziet b\u0113rni\u0146i.. Vergo\u0161ana\u2026 P\u0101rs\u016bta uz \u201en\u0101ves pussalu\u201d Agapitovu pa\u0161os zieme\u013cos, lai c\u0113rt \u0101li\u0146\u0123us un zvejo zivis frontei; no 800 \u201ezvejniekiem\u201d l\u012bdz pavasarim izdz\u012bvo tikai 60\u2026 J\u0101str\u0101d\u0101 \u0161aht\u0101s, j\u0101rok ogles l\u0113\u0123eru \u201elielpils\u0113t\u0101\u201d Nori\u013csk\u0101\u2026 Tas viss film\u0101 risin\u0101ts, pielietojot da\u017e\u0101dus kinematogr\u0101fisk\u0101s izteiksm\u012bbas l\u012bdzek\u013cus, savienojot verb\u0101lo st\u0101st\u012bjumu ar vizu\u0101liem, kino un foto att\u0113liem. \u012apa\u0161a epizode \u2013 par Latvijas, Lietuvas un Igaunijas artil\u0113rijas augst\u0101k\u0101 komand\u0113jo\u0161\u0101 sast\u0101va virsniekiem, kurus ar bl\u0113d\u012bbu aizv\u012bla uz Maskavu \u2013 lai nodev\u012bgi apcietin\u0101tu un aizs\u016bt\u012btu uz soda nometni, kur liel\u0101k\u0101 da\u013ca bargaj\u0101 ziem\u0101 nomirst. Izvirz\u012bjusi par galveno detaliz\u0113tus, st\u0101st\u012bt\u0101ju emocij\u0101m iekr\u0101sotus atmi\u0146u st\u0101stus, re\u017eisore Dzintra Geka skopi, toties prec\u012bzi izv\u0113l\u0113t\u0101s viet\u0101s, kur tie var\u0113tu b\u016bt visiedarb\u012bg\u0101kie, — filmas kop\u0113j\u0101 strukt\u016br\u0101 iemont\u0113 pa\u0161us svar\u012bg\u0101kos laikmeta dokumentus minimaliz\u0113t\u0101 izkl\u0101st\u0101. Par izs\u016bt\u012b\u0161anu. Par nometin\u0101\u0161anu \u201euz m\u016b\u017e\u012bgiem laikiem\u201d. Par reabilit\u0113\u0161anu 1989.gad\u0101. Ta\u010du pat p\u0113d\u0113jais vairs nav emocion\u0101l\u0101s atkl\u0101smes ierosin\u0101t\u0101js. Cilv\u0113cisk\u0101 l\u012bnija, sava veida caurviju darb\u012bba film\u0101 uztic\u0113ta m\u0101c\u012bt\u0101jam G.Kalmem, pareiz\u0101k, vi\u0146a run\u0101taj\u0101m l\u016bgsn\u0101m, iesv\u0113tot apbed\u012bjumu viet\u0101s uzst\u0101d\u012bt\u0101s piemi\u0146as z\u012bmes: \u201eLai m\u0113s vienm\u0113r atcer\u0113tos savus tautie\u0161us, kas bija ats\u016bt\u012bti \u0161eit nomir\u0161anai, vergu darbam, lai vi\u0146u piemi\u0146a m\u016bsos un b\u0113rnos, mazb\u0113rnos vis\u0101s paaudz\u0113s tiek saglab\u0101ta.\u201d L\u016bgsnas saista vienu epizodi ar otru, vienu apst\u0101\u0161an\u0101s vietu ar citu. T\u0101s saista miru\u0161os ar dz\u012bvajiem un sv\u0113t\u012b Sib\u012brijas zem\u0113 paliku\u0161o tuvinieku atcer\u0113\u0161anos. Tas ar\u012b, manupr\u0101t, ir \u0161\u012bs filmas virsuzdevums. Jo \u201eSib\u012brijas bilance\u201d nav pedantiski sak\u0101rtoti arh\u012bva dokumenti, sausi skait\u013ci par tautas zaud\u0113jumiem; svar\u012bg\u0101k par visu \u2013 m\u016bsu atmi\u0146as sak\u0101rto\u0161ana, sv\u0113tas piemi\u0146as uztur\u0113\u0161ana ikviena atmi\u0146\u0101. Par to, ka tie nav ar patosu apdvesti kv\u0113li sauk\u013ci, ka runa ir par katram cilv\u0113kam saprotam\u0101m, tuv\u0101m liet\u0101m, filmas autori atg\u0101dina negaid\u012bt\u0101, ori\u0123in\u0101l\u0101 veid\u0101: \u201eEs no latvie\u0161iem m\u0101c\u012bjos p\u0101rciest gr\u016bt\u012bbas. T\u0101p\u0113c es latvie\u0161us atceros ar pateic\u012bbu, jo es no vi\u0146iem daudz m\u0101c\u012bjos\u2026,\u201d \u2013 filmas nobeiguma da\u013c\u0101 st\u0101sta sib\u012briete, krievu sieviete Biri\u013cusi muzej\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"

Toms Treibergs \u00a0te\u0101tra un kino kriti\u0137is Recenzija Sib\u012brijas bilance Re\u017eisore un producente Dzintra Geka Studija SB \u00a02011 \u00a0\u0160o var\u0113tu nod\u0113v\u0113t par emocion\u0101li visattur\u012bg\u0101ko Dzintras Gekas filmu, kura v\u0113sta par m\u016bsu tautie\u0161u likte\u0146iem deport\u0101ciju kontekst\u0101. Iesp\u0113jams, t\u0101p\u0113c, ka taj\u0101 nav citos autores darbos redzam\u0101s intervijas \u201eviens pret vienu\u201d \u2013 st\u0101st\u012bjumi par izmetin\u0101juma nomet\u0146u \u0161ausm\u0101m notiek fon\u0101. … Continue reading “2 Recenzijas par filmu “Sib\u012brijas bilance””<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,6],"tags":[10],"class_list":["post-630","post","type-post","status-publish","format-standard","hentry","category-filmas","category-info","tag-sibirijas-bilance"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2UUg9-aa","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/sibirijasberni.lv\/en\/wp-json\/wp\/v2\/posts\/630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sibirijasberni.lv\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sibirijasberni.lv\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sibirijasberni.lv\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sibirijasberni.lv\/en\/wp-json\/wp\/v2\/comments?post=630"}],"version-history":[{"count":2,"href":"https:\/\/sibirijasberni.lv\/en\/wp-json\/wp\/v2\/posts\/630\/revisions"}],"predecessor-version":[{"id":632,"href":"https:\/\/sibirijasberni.lv\/en\/wp-json\/wp\/v2\/posts\/630\/revisions\/632"}],"wp:attachment":[{"href":"https:\/\/sibirijasberni.lv\/en\/wp-json\/wp\/v2\/media?parent=630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sibirijasberni.lv\/en\/wp-json\/wp\/v2\/categories?post=630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sibirijasberni.lv\/en\/wp-json\/wp\/v2\/tags?post=630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}