Kino un te\u0101tra kriti\u0137is, laikraksta Diena<\/em> kult\u016bras noda\u013cas apskatnieks<\/p>\n Kinov\u0113sture, it sevi\u0161\u0137i jau t\u0101 d\u0113v\u0113tais dokument\u0101l\u0101 kino \u017eanrs, zina ne mazums piem\u0113ru, kad filmas m\u0101ksliniecisk\u0101s kvalit\u0101tes atk\u0101pjas uz ekr\u0101na fiks\u0113t\u0101s realit\u0101tes priek\u0161\u0101. \u0160\u0101dos gad\u012bjumos m\u0113s parasti run\u0101jam vai nu par uzfilm\u0113t\u0101 \u2013 t\u0101tad iem\u016b\u017ein\u0101t\u0101 \u2013 kinomateri\u0101la unikalit\u0101ti, ar kameru notverto mirk\u013cu pa\u0161pietiekam\u012bbu (dokfilmu hronolo\u0123ij\u0101 atrad\u012bsim gan kauju pie Sommas, gan Suecas kan\u0101la atkl\u0101\u0161anu, gan \u0123eni\u0101l\u0101s manipulatores Lenijas R\u012bfen\u0161t\u0101les fikt\u012bvos dokumentus, gan Roberta Kenedija nogalin\u0101\u0161anu Dallas\u0101, gan zemestr\u012bci Arm\u0113nij\u0101, gan OMON sar\u012bkoto latvie\u0161u br\u012bv\u012bbas alc\u0113ju slepkavo\u0161anu Bastejkaln\u0101 XX gadsimta izska\u0146\u0101, gan 2001.gada 11. septembra terora aktus ASV, gan \u201car\u0101bu pavasari\u201d\u2026), vai ar\u012b par filmas sabiedrisko\/cilv\u0113cisko noz\u012bm\u012bbu, kaut ko \u201cv\u0113rt\u012bg\u0101ku\u201d, b\u016btisk\u0101ku par grodi izstr\u0101d\u0101tu si\u017eetu, dramatur\u0123iju un filmas t\u0113lain\u012bbas vai cit\u0101m kinematogr\u0101fiskaj\u0101m v\u0113rt\u012bb\u0101m. Kas gan b\u016btu XX\/XXI gadsimta kinov\u0113sture, ja taj\u0101 k\u0101 savveida kino k\u0101 esam\u012bbas fakta \u0161edevri nerindotos neskait\u0101mo cilv\u0113ces karadarb\u012bbu kinodokumenti, unik\u0101lu kult\u016bras, sadz\u012bves notikumu fiks\u0113jumi, nofilm\u0113ti cilv\u0113ki (piem\u0113ram, Aleksandra Sokurova Krievu el\u0113\u0123iju<\/em> cikla filmas, kas ar \u0161\u0137ietami \u201celement\u0101ru\u201d filmlent\u0113 iekapsul\u0113tu sarunu atkl\u0101j prezidenta Je\u013ccina, v\u0113l vair\u0101k, \u2013 veselas valsts Krievijas eksistences dr\u0101mu? ; par t\u0101diem hrestom\u0101tiskiem kinov\u0113stures piem\u0113riem k\u0101 Roberta Flaertija, Dzigas Vertova vai Godfrija Red\u017eio un Rona Frikes dok\/sp\u0113lfilmas nemaz nerun\u0101jot).<\/p>\n Paties\u012bb\u0101 latvie\u0161u dokument\u0101listes Dzintras Gekas ilgus gadus lolotais kino un izdev\u0113jdarb\u012bbas projekts, kuru nosac\u012bti var d\u0113v\u0113t par Sib\u012brijas dienasgr\u0101mat\u0101m<\/em>, ar\u012b ir unik\u0101ls piem\u0113rs m\u016bsu audiovizu\u0101laj\u0101 kult\u016br\u0101. Protams, savu m\u0101kslinieciski-t\u0113laino kvalit\u0101\u0161u zi\u0146\u0101 Dzintras Gekas \u201cSib\u012brijas hronikas\u201d nevar sal\u012bdzin\u0101ties ar t.s. R\u012bgas po\u0113tisk\u0101 dokument\u0101l\u0101 kino skolas vai t\u0101du starptautiski zin\u0101mu Latvijas re\u017eisoru-klasi\u0137u k\u0101 Hercs Franks, Aivars Freimanis, Juris Podnieks lab\u0101kaj\u0101m film\u0101m.<\/p>\n Un tom\u0113r. Tie\u0161i savas cilv\u0113cisk\u0101s kapacit\u0101tes zi\u0146\u0101, c\u0113l\u0101\u00a0 un vienlaikus necilv\u0113c\u012bgi smag\u0101 m\u0113r\u0137a \u2013 iem\u016b\u017ein\u0101t filmu s\u0113rij\u0101 latvie\u0161u un Latvijas tautas v\u0113stures vienu no dramatisk\u0101kaj\u0101m lappus\u0113m (ne tikai Sta\u013cina terora desmitgades, bet ar\u012b PSRS \u201ctautu p\u0101rvieto\u0161anas\u201d ideolo\u0123iju visp\u0101r) \u2013 Gekas darbs pelna visaugst\u0101ko atzin\u012bbu.<\/p>\n K\u0101 laikmeta un \u201caizejo\u0161\u0101s nat\u016bras\u201d fiks\u0113t\u0101ja \u0161\u012b re\u017eisore bie\u017ei vien tikai savas filmkomandas entuziasm\u0101 un pa\u0161as dv\u0113seliskaj\u0101 l\u012bdzp\u0101rdz\u012bvojum\u0101 balst\u012btu stimulu ce\u013co uz \u201ct\u0101lo zemi\u201d Sib\u012briju (Krieviju), lai v\u0113l sav\u0101ktu to, kas tur no latvie\u0161iem un vi\u0146u kult\u016bras palicis. T\u0101s ir cilv\u0113ciskas liec\u012bbas, v\u0113rojumi, izs\u016bt\u012bjuma un nometin\u0101juma vietu \u0123eogr\u0101fija \u2013 bez uzsv\u0113rtas autora kl\u0101tb\u016btnes vai k\u0101d \u012bpa\u0161a m\u0101kslinieciska koncepta, kad \u201cbild\u0113\u201d(kadros) redzamais run\u0101 pats par sevi. T\u0101s nav ar\u012b popul\u0101rzin\u0101tniskas filmas univers\u0101lai auditorijai. Visdzi\u013c\u0101kaj\u0101 b\u016bt\u012bb\u0101 Dzintras Gekas nepretencioz\u0101s dokument\u0101l\u0101s report\u0101\u017efilmas fiks\u0113 m\u016bsu ikdienas dz\u012bv\u0113 piemirsto, v\u0113sturnieku bie\u017ei vien taktiski noklus\u0113to \u2013 padomju sist\u0113mas m\u0113r\u0137tiec\u012bgi veiktu genoc\u012bdu pret latvie\u0161u tautu (protams, ne tikai pret latvie\u0161u). Un \u0161\u0101d\u0101 diskurs\u0101 Gekas filmas (Sib\u012brijas bilance, Sib\u012brijas b\u0113rni, Piemini Sib\u012briju, Stacija Latvie\u0161i 1937<\/em> un citas) un publik\u0101cijas gr\u0101mat\u0101s\/albumos-liec\u012bb\u0101s ir ne ar k\u0101d\u0101m balv\u0101m atzin\u012bb\u0101m un cit\u0101m \u201cekstr\u0101m\u201d nenov\u0113rt\u0113jams ieguld\u012bjums Latvijas XXI gadsimta kult\u016brv\u0113stur\u0113. Filmas, kur\u0101s v\u0113sture un likte\u0146i run\u0101 skaudr\u0101k un dzi\u013c\u0101k par jebkuru dokument\u0101lo t\u0113lain\u012bbu un \u201caugsto m\u0101kslu\u201d.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Normunds Naumanis Kino un te\u0101tra kriti\u0137is, laikraksta Diena kult\u016bras noda\u013cas apskatnieks \u00a0Filmas n\u0101kam\u012bbai Kinov\u0113sture, it sevi\u0161\u0137i jau t\u0101 d\u0113v\u0113tais dokument\u0101l\u0101 kino \u017eanrs, zina ne mazums piem\u0113ru, kad filmas m\u0101ksliniecisk\u0101s kvalit\u0101tes atk\u0101pjas uz ekr\u0101na fiks\u0113t\u0101s realit\u0101tes priek\u0161\u0101. \u0160\u0101dos gad\u012bjumos m\u0113s parasti run\u0101jam vai nu par uzfilm\u0113t\u0101 \u2013 t\u0101tad iem\u016b\u017ein\u0101t\u0101 \u2013 kinomateri\u0101la unikalit\u0101ti, ar kameru notverto mirk\u013cu … \u0427\u0438\u0442\u0430\u0442\u044c \u0434\u0430\u043b\u0435\u0435 \u00abNormunda Nauma\u0146a recenzijas par 3 Dzintras Gekas film\u0101m\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,6],"tags":[30],"class_list":["post-633","post","type-post","status-publish","format-standard","hentry","category-filmas","category-info","tag-normunds-naumanis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2UUg9-ad","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/sibirijasberni.lv\/RU\/wp-json\/wp\/v2\/posts\/633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sibirijasberni.lv\/RU\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sibirijasberni.lv\/RU\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sibirijasberni.lv\/RU\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sibirijasberni.lv\/RU\/wp-json\/wp\/v2\/comments?post=633"}],"version-history":[{"count":1,"href":"https:\/\/sibirijasberni.lv\/RU\/wp-json\/wp\/v2\/posts\/633\/revisions"}],"predecessor-version":[{"id":634,"href":"https:\/\/sibirijasberni.lv\/RU\/wp-json\/wp\/v2\/posts\/633\/revisions\/634"}],"wp:attachment":[{"href":"https:\/\/sibirijasberni.lv\/RU\/wp-json\/wp\/v2\/media?parent=633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sibirijasberni.lv\/RU\/wp-json\/wp\/v2\/categories?post=633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sibirijasberni.lv\/RU\/wp-json\/wp\/v2\/tags?post=633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\u00a0Filmas n\u0101kam\u012bbai<\/h1>\n